Showing posts with label Albay. Show all posts
Showing posts with label Albay. Show all posts

Friday, August 08, 2014

Sparking Better Lives: Energy Development Corporation’s Unique Summer Youth Camp


At about 570 meters above sea level, the Bacon-Manito Geothermal Complex is a 25,000-hectare protected area spanning the boundaries of Legazpi City and the town of Manito in Albay and the district of Bacon of Sorsogon City in Sorsogon. Within this area is the Pocdol mountains, a group of stratovolcanos; steaming mud pools in Inang Maharang; a “boiling lake” called Naghaso; the Botong Falls; thriving forests, usually of dipterocarps; and several communities. It is home of the flying fox and walking sticks unique to the area such as the Tisamenus deplanata “Pocdol.” Aside from its offices and the geothermal plant, EDC maintains a wildlife rehabilitation and refuge center which presently houses deer and wild boar, a butterfly garden and a 19-hectare mangrove plantation at the coast of Manito 

 Amidst the lush mountains that straddle the provinces of Sorsogon and Albay in the Bicol region, select high school students, grouped into teams, were on competitive challenge race. One challenge had them searching for food items—ingredients for dishes they would cook—using compass bearings. Once completed, they cooked, set the tables, ate what they prepared and washed the dishes. Then, they proceeded to tackle more challenges—figuring out puzzles; relaying water; rolling balls using only PVC pipes cut in half; moving balls using a metal ring and pieces of strings; etc. These tested their agility, creativity, communication skills and how they worked as a team.
This was one of the culminating activities of the annual summer youth camp of the Energy Development Corporation (EDC), the country’s leading producer of geothermal energy, called Energy Camp or e-Camp. The e-Camp is different in several ways. Most obvious is the setting of the camps. All of the camps are held in the geothermal complexes of EDC, most of which are forest reserves and protected areas. EDC maintains, manages and helps protects five sites around the country—in Leyte, Negros, Albay-Sorsogon and North Cotabato.
At about 570 meters above sea level, the Bacon-Manito Geothermal Complex is a 25,000-hectare protected area spanning the boundaries of Legazpi City and the town of Manito in Albay and the district of Bacon of Sorsogon City in Sorsogon. Within this area is the Pocdol mountains, a group of stratovolcanos; steaming mud pools in Inang Maharang; a “boiling lake” called Naghaso; the Botong Falls; thriving forests, usually of dipterocarps; and several communities. It is home of the flying fox and walking sticks unique to the area such as the Tisamenus deplanata “Pocdol.” Aside from its offices and the geothermal plant, EDC maintains a wildlife rehabilitation and refuge center which presently houses deer and wild boar, a butterfly garden and a 19-hectare mangrove plantation at the coast of Manito. 
Appropriately, the camp curriculum includes lessons on the environment, environment-friendly practices like composting, planting of endemic trees in denuded areas, hiking to appreciate the outdoors and the processes of harnessing geothermal energy to understand why it is the cleanest way of producing energy. Other lessons and activities prove to be eclectic. Campers learn basic martial arts, go swimming and have fun activities with ropes such as rappelling and knot-tying. They also undergo leadership and survival skills trainings. First aid lessons and pointers in map reading are thrown in. Indoor lessons include one on Filipino culture, table etiquette, personal hygiene, personality development, ballroom dancing and cooking. A livelihood training—making bead ornaments, for example—is also included. Campers also go on tours of the complex facilities, as well as interesting sites in nearby areas such as Legazpi City. 
These lessons and activities are deemed important by the EDC, which aims for roundedness, thus the diversity. Instead of the usual exercise routines, taekwondo and other martial arts are taught. Not only are the students exercising, they also learn skills to defend themselves, said Paul Aquino, EDC president and chief executive officer from 2004 to 2011, who is the brains behind the e-Camp. On the other hand, ballroom dancing is to learn grace, he said. This year, outdoor activities were enhanced and the survival skills trainings strengthened with the newly-hired disaster and crisis head, Teofredo “RTed” Esguerra, a wilderness physician, rescue instructor and a member of the Philippine expedition to Mount Everest.

EDC Eenrgy Camp founder and advisor shares a light moment with the campers before graduation
Though Aquino retired in 2011, he still acts as a consultant to present EDC president, Richard B. Tantoco, and visits the e-Camps whenever he can to interact with the kids and pep them up. Among the many corporate social projects of EDC, the e-Camp seems to be one of the closest to his heart. He was there when the first e-Camp was held and he helped shape it to what it is today, a shining enclave of fun and learning that many kids aspire for. The impetus for the formation of the e-Camp was a grim incident, hinting that the venture is not entirely without benefits for the company.
“In March 2004, the NPA (New People’s Army) attacked one of our rigs in Leyte, and the worst part was, as the sun was going up, the whole barangay lined up on the ridge watching like there was a movie shooting. I was a brand-new CEO at that time. I asked, how come walang tulong, no nothing? They were just watching,” Aquino related. “I had a climate survey to gauge the sentiments of the people a month later. The climate survey was not very good. At that time, we were looked up as the government. We were a government corporation at that time. In the mountains, there is no government. We were the government. The people did not feel any connection.”
He called the PR department for a meeting and said, “There is something missing. What do we do? Short-run and long-run.”
“In the mountains, there is nothing to do (for these people). So when the NPA came to teach, they came,” Aquino said. “I didn’t understand these things until all of these were explained to me. So I thought, there must something (for the people) to do. So the first thing we did was to donate a Dream satellite, 29-inch TV and one-year subscription for every major barangay. So we had, well, teleseryes. After three months, we conducted another survey to find out the success (of this venture). We found out the teachers of the NPA were also watching the teleseryes. We figured that was kind of successful. That was one of the short-term plans. For another short-term plan, we thought, if we cannot get to the kids, we cannot get to the parents. Once we get the parents, we get the community. So we have to think of something for the kids, but nobody in the company knew about summer camps. So we gathered the employees' kids. That was how the summer camp started.”
The camp is aimed at luring kids away from being recruited or indoctrinated by the NPA, Aquino said. It is also a way of setting up a “social fence,” and part of that social fence is interaction with the community. Another way of seeing the e-Camp is as a bridge, providing a venue for the company and the community to understand each other, as well as to benefit from each other.
The first e-Camp was held in Valencia, Negros Oriental, in 2004, with mostly employees’ children. It was a lab of sorts where EDC employees found out how to conduct a summer camp. The following year, it was conducted in other sites and with children from the communities. Aquino emphasized that the e-Camps are made possible through the volunteerism of their employees. All volunteers are said to have been screened to ensure suitability for the functions at the camp they will undertake. 

Their ability to work together and agility are put to test in this challenge of  an Amazing Race-type activity at the summer camp of EDC  
Participants of the Energy Camp try to roll balls with PVC pipes during a race
 


Campers put their heads together to solve a puzzle during the Amazing Race challenge
Campers perform during the closing ceremony of the Bacon-Manito Energy Camp

 This year, two camps were held—in Bicol and Negros Oriental—involving 112 participants. Because Leyte is still recovering from the devastation of super typhoon Haiyan (Yolanda), an e-Camp was not held there this year. The e-Camp in Mount Apo, North Cotabato, was discontinued a few years ago because of difficulty in logistics. The BacMan e-Camp was held from April 27 to May 2 with 66 campers, all high-school students. Fourteen were children of EDC employees at the main office in Pasig City, while 25 were children of employees of the Bacon-Manito Business Unit. Six campers came from the Pantabangan and Masiway hydropower plants in Nueva Ecija, and 21 are scholars from public schools in EDC’s host communities in Albay and Sorsogon.
There were more children of employees this year. The number-one target of a CSR project is your employees, said Aquino. Still, the e-Camp remains to be an excellent and exciting opportunity for learning and gaining valuable experiences for deserving youths of the host community, who most likely will not have access to this kind of activity because they live in remote areas or are too poor to afford it if there is one available at all.
Campers are housed in comfortable bunkers at the compound, which are really for guests and employees of the company. Mobile phones and other gadgets are confiscated, and campers are not able to communicate with family and friends for a week.
“Being part of this event was not very easy for all of us. First of all, we were far from our home, family, friends and especially Internet, gadgets. Second, we were all ordinary people in this camp. No discrimination and special treatments. At first, I was afraid to join this kind of camp,” revealed Christine Escudero, a 16-year-old student of Sorsogon National High School. “But I learned many new things. I learned that there’s beauty outside our home. There’s beauty behind those mountains and blue sky. I met new people that have very unique talents and faces. I learned how to live independently. I learned how to value life, to protect myself in times of danger. I also discovered my talents...that I can be a good leader and also a good follower.”
“Life is short. Every second counts. I believe that I was able to experience the true meaning of these sayings through EDC's Energy Camp,” recounted 17-year-old Clarisse Evaristo, daughter of an EDC employee from Marikina City and a student of Assumption College in Antipolo City. “I was being stubborn and lazy. I would rather lock myself in my room and spend almost all of my time with my laptop, gadgets and television. I wanted to spend my last summer before senior year relaxed and basically doing nothing.But come to think of it, the idea was really absurd. I mean, why waste every single precious second with mindless activities when you can spend your time enhancing your skills and making an impact or positive change.”
This was further explained by Evaristo's fellow camper, 16-year-old Charlie Dugan, an EDC scholar from the Osiao Paglingap High School: “Masasabi kong napakahalaga ng summer camp na ito lalo na para sa mga kabataang tulad ko. Dahil sa camp na ito, nagamit namin ang oras at panahon sa isang kapakipakinabang at produktibong mgagawain. Naipakita ko kung paano mapapahalagahan ang ating kalikasan.Natuto akong makisalamuha, makibagay at makiisa sa anumang gawain.” (I can say this summer camp is valuable for youths like me. Because of this camp, we spent our time in practical and productive ways. I saw how to value nature.I learned how to get along with others and cooperate in any tasks.)
“Before, I was a silent type of student with lots of fear. But when I joined this camp, it was lessened little by little. Every day and every single night in this camp was important and special for us because it was another time to learn,” said Elline Ebio, a 16-year-old EDC scholar from Osiao Paglingap High School.
“The success of the camp is gauged by the amount of tears shed during graduation," Aquino has always been saying. He has witnessed many tearful goodbyes of campers who had bonded for a week, living together, sharing good food, undergoing activities together, experiencing new things.
Another success of the camp, a more essential one, was observed by Maria Yna Rose Garcia. The 16-year-old student of Sorsogon National High School, who is this year's camper, had a brother and a sister who attended the e-Camp before her.
“They were able to learn life skills and how to be warriors of Mother Earth. They learned and at the same time had fun,” she related. “They had changed. Something changed inside their hearts; they became better persons.”
 
Sixty-six high-school students joined this year’s e-Camp in BacMan: 14 children of EDC employees at the main office in Pasig City; 25 children of employees of the Bacon-Manito Business Unit; six campers from the Pantabangan and Masiway hydropower plants in Nueva Ecija; and 21 scholars from public schools in EDC’s host communities in Albay and Sorsogon
 


Monday, February 04, 2013

Daragang Magayon Revitalized

 
Mount Mayon is not only an icon of tourism in the province of Albay, but of the whole Philippines. The splendor of the 8,077-foot active volcano, known for its almost perfect symmetry, inspires awe among visitors and is a constant companion of Albayanos living under its shadow, becoming an integral part of their culture.
There is a popular folklore about the origin of Mount Mayon that Albayanos often tell.
Once there was a princess named Magayon (literally meaning “beautiful”), daughter of Makusog, who was the most beautiful and the most modest in Kabikolan. Among her many suitors was the wealthy and wicked Pagtuga, but Magayon disliked him. When Magayon was about to take a bath at the river, she slipped and was carried away by the currents. A handsome stranger, Panganoron or Ulap (cloud), from Katagalogan saved Magayon’s life. They fell in love. Magayon told this to his father, who remained open-minded despite his disappointment. Pagtuga kidnapped Makusog and threathened to kill him unless Magayon agreed to marry him. To save her father’s life, Magayon consented. On the day of the wedding, Ulap arrived, having heard of the news, with his trusted guide Amihan and several men ready to rescue Magayon. Fighting ensued. Pagtuga was killed by Ulap. Magayon ran to her lover, but was hit by an arrow. As she died in his arms, Ulap was stabbed at the back. The lovers were laid to rest. Magayon was buried with Pagtuga’s gift of diamonds, pearls, gold and other precious stones. A mound appeared on Magayon’s grave the next day, and it grew bigger and bigger until it became a mountain. Occasionally, quakes were felt by the people coming from the mountain. Sometimes, thick clouds would form around the top. It is said that the spirit of Pagtuga, which the help of Linog (earthquake), tries to exhume Magayon’s grave to get the gifts he had given her. It is also said that the clouds forming around the mountain is Ulap, shielding Magayon from the sun, sending raindrops and kissing her.   
Mount Mayon and its story have inspired many artists. The legend was retold in an epic in English and Filipino by Albayano writer Merlinda Bobis, Cantata of the Warrior Woman Daragang Magayon/Kantada ng Babaing Mandirigma Daragang Magayon, published in 1993. Bobis would do a dramatic reading of her epic.
An experimental theatrical piece was staged at the ramp of the Cultural Center of the Philippines (CCP) based on the epic. Noted musicologist and composer Dr. Ramon Santos, who was involved in the production, recalled that a young ballet dancer, choreographer and teacher, Gerald Mercado, liked it and wanted to revive it. 


With the help of the provincial government of Albay, the multi-media dance production Daragang Magayon: An Istorya ni Mayon is to be staged by the 10-year-old group of young independent artists, E-Dance Theater Performing Lab, on Feb. 8, 2013, at the Tanghalang Nicanor Abelardo (Main Theater) of the Cultural Center of the Philippines, along Roxas Boulevard in Pasay City (3 p.m. and 8 p.m.).
Mercado related: “Tinatrato kong anak ang Daragang Magayon. Para kong dinaanan ang panganganak at pagpapalaki ng anak mag-isa (I treated Daragang Magayon like my own child. It was like going through giving birth and raising a child by myself). Its inception — when I had to look at the story and read it again, and research deeper into Bicol folklore — took several years in the making. Pinaikot-ikot ko ang mundo ni Magayon ng paulit-ulit sa imahinasyon ko, hanggang sa finally nabuo rin ang puzzle, at ito ang kinalabasan (I made the world of Magayon revolve inside my imagination again and again until finally the puzzle was solved, and this is the outcome). The choreography, which up until now is still in the process, is for me a process of creating and recreating movement, inventing and reinventing myself.”
“The artistic team intended Daragang Magayon to be a breakthrough for the Philippine art scene — that is the first-ever Filipino multi-media production in quite literally epic proportions,” Mercado said. “And to do this meant bringing together the best that literature and music have.”
Several important artists were gathered for this endeavor. Most notable are Dr. Santos, who created new music for the production, and National Artist for literature Virgilio Almario, whose poetry is featured.
The dramaturgy is by Abdon Balde Jr., who was a civil engineer who turned to writing and literature upon retirement. The award-winning and prodigious Bikolano fictionist and poet was recently appointed as the first poet laureate of Albay by its provincial government. Film is incorporated into the work by filmmaker Chuck Escasa with script by Aimee Escasa and Boni Ilagan, cinematography by Henry Posadas and animation by Niko Salazar. The set design is created by Leo Abaya, while costume design is by Carlo Pagunaling and lights design by John Batalla. Mercado does the direction and choreography.
The cast of dancers, actors and singers include Ea Torrado as Magayon, Victor Maguad as Ulap, Francis Cascaño as Pagtuga, Pamela Josef as Usa, Marcus Tolentino as Makusog, Roduardo Ma and Earvin Guillermo as Linog, Ronnie Lazaro as Gugurang, Pontri Bernardo as Aswang, soprano Stephanie Quintin, tenor Jay-El Viteño, bass Jonak del Fierro, the University of the Philippines Rondalla and the Novo Concertante.


“This rendition of the legend of Mount Mayon is unique in two ways — the incorporation of Bicolano deities in the myth and the particular emphasis of Magayon as a warrior princess,” wrote Mercado. “I decided to merge the different facets of Bicolano folklore into one cohesive story. The gods Gugurang and Aswang, and the goddess Calayo are usually credited for the creation of the world and the fire that made it possible for humankind to survive. The love story of Ulap and Magayon tells the tale of the Mount Mayon. For me, these two stories are in essence, mirror images of each other. It is the same story of the war of two powers, of fire and the triumph of love.”
Santos, who was selected as National Artist for music in 2009 but was dropped by President Gloria Macapagal-Arroyo in favor of her choices, said he created innovations for this production. Notable is his creation of a score for rondalla, the plucked string music.
Maraming magagaling na rondalista sa Bikol (There are many good rondalla players in Bicol),” Santos said.
Rondalla music has always been used as intermissions in programs, as welcome to visitors during important occasions and as accompaniment to celebrations but according to Santos, “rondalla has never been used in a ‘serious’ production.” His composition “proved to be challenging even for the players,” but is haunting and unique.
The local government of the province of Albay is supporting the production as part of its revitalized tourism program.
“Ang pagtatampok ng Daragang Magayon: An Istorya ni Mayon sa Cultural Center of the Philippines…ay ang pagdadala ng liwanag sa mga taong nasa karimlan ng kawalang-alam sa mga tradisyong Albayano (The staging of Daragang Magayon: An Istorya ni Mayon at the Cultural Center of the Philippines…is [like] bringing light to those who are in the dark about Albay tradition),” said the governor of Albay Joey Sarte Salceda. “Mahalaga ito sa amin na maibahagi ang kagandahan ng aming kultura sa mga taga-ibang rehiyon ng ating bansa. Napapanahon nang makita nila ang kagandahan ng aming probinsiya, ang kariktan ng aming mga dilag, at ang yaman ng aming kultura. Sa ganitong paraan, hangad namin na katulad ni ulap, maakit kayo na dalawin ang Albay, umibig sa Albayana at makibahagi sa aming pagdiriwang.” (It is important for us to share the beauty of our culture to other regions of our country. It is already time for them to see the beauty of our province, the loveliness of our maidens and the richness of our culture. This way, we wish that like ulap you will be enticed to visit albay, to fall in love with albay women and to take part in our celebration.)
Salceda is said to be supportive of arts and culture, and his projects included regular exhibits at the provincial capitol building, the commissioning of local sculptors to create statues of historical figures of Albay, the staging of the opera in Bikol Dance of the Three Mountains by Balde during the 2012 Magayon Festival, and the creation of the Office of the Poet Laureate. This latest endeavor is a way to showcase Bicolano culture for the whole country to see, and the legend of Daragang Magayon is an apt avenue.
Salceda said: “Ang alamat ni Daragang Magayon ay paulit-ulit na ipinagdiriwang n gaming probinsiya sa mga dula, sayaw, awit at tugtog dahil ito ay naglalarawan ng aming pinagmulan. Ito ay naglalarawan ng pinakamaganda sa amin sa ugali, anyo, pag-ibig, pakikipagkapwa-tao at ang aking kaligiran. Pinayayaman nito an gaming buhay. Pinahahalagahan nito ang aming mga kaugalian.” (The legend of Daragang Magayon is frequently celebrated in our province in plays, dance, songs and music because it showcases our roots. It displays the best in us—in conduct, form, love, camaraderie and surroundings. It enriches our lives. It honors our traditions.) 
Ang alamat ni Daragang Magayon na sa kamatayan ay naging isang napakagandang bulkan ay naglalarawan ng anyo at kaluluwa ng aming probinsiya, ng mga Albayano. Sumasalamin ito sa aming kultura (The legend of Daragang Magayon, who in death becomes a very beautiful volcano, represents the image and soul of our province, of the Albayanos. It is a glimpse into our culture),” he explained. “Una sa lahat, ang paggalang sa Diyos — na katulad ni Gugurang — at ang pag-alay ng atang kung may biyayang dumating sa aming buhay (First of all, the respect for God — like Gugurang’s — and the thanksgiving if there are blessings in our life).”
Ang paggalang sa magulang, lalo sa ama ng tahanan. Handa si Magayon na isakripisyo ang sariling kaligayan para lamang sa kaligtasan ng kanyang ama (The respect for parents, especially for the father of the house. Magayon is ready to sacrifice her own happiness for the safety of her father),” he added. “Ang likas na ganda ng paligid na tampok ang Bulkang Mayon ay ipinagdiriwang at pinahahalagahan namin bilang biyaya ng Diyos at ng kalikasan. (The innate beauty of the environment featuring Mayon Volcano is being celebrated and valued as a blessing from God and from nature) ”
At bakit naming ilalarawan ang aming kultura sa pamamagitan ng isang makabagong ballet sa Cultural Center? Sapagkat hangad namin na madali ninyo kaming maunawaan sa pamamagitan ng sining. Magiging madali para sa atin ang magkaunawaan. Madali ang pag-ambag ng kaalaman. Nagiging isang komunidad tayo sa magkahawig na kultura. At higit sa lahat, ito ay masayang pagtitipon. (And why are we showcasing our culture through a modern ballet at the Cultural Center? Because it is our wish that you would easily understand us through art. It would easier to understand one another. It is easy for the transfer of knowledge. We become one community with the with the similarities in our cultures. And best of all, it is a fun gathering.)” he concluded. 


Daragang Magayon: An Istorya ni Mayon will be shown on Feb. 8, at the Tanghalang Nicanor Abelardo (Main Theater) of the Cultural Center of the Philippines, at 3 p.m. and 8 p.m. For more information, call 425-0509, 0920-9266387 and 832-1125 local 1116. For ticket inquiries, call 829-3591, 0906-2735400, 0922-8477639 and 0933-4372744. Call Ticketworld at 891-9999.