The Supreme Court lifted the TRO on the construction of Torre de Manila, which mars the background of the Rizal Monument |
The
most recent cultural issue—that of the Torre de Manila controversy—is an ironic
development as the Philippines celebrates National Heritage Month this May.
During its en banc session on April 25, the
Supreme Court lifted the temporary restraining order (TRO), which it issued on
June 16, 2015, to stop construction of the 49-story residential project Torre
de Manila in Ermita, Manila.
DMCI Homes’ Torre de Manila caught
the attention of heritage advocates and cultural agencies including the
National Commission for Culture and the Arts (NCCA), the government overall
cultural agency, in 2012 when the project had been built high enough to figure
prominently in the background of the historical Rizal Monument. Because of this
visual intrusion, the condominium was dubbed a “photobomber.”
The Knights of Rizal filed a petition with the
Supreme Court in September 2014, while the NCCA, relying on the National
Cultural Heritage Act of 2009, issued a cease-and-desist order against the
project in January 2015 because it destroys the monument’s view. On the other
hand, DMCI argued that the P3.6-billion Torre de Manila “does not stand on a
national heritage site” and that the National Building Code “does not prescribe
height limits for buildings.”
“The court has no jurisdiction over the subject
matter; the petitioners have no standing to sue; and they (petitioners) stand
to suffer no injury. Furthermore, the court also found that there is no law
that prohibits the construction of the challenged Torre de Manila,” the Supreme
Court said in its latest decision.
The NCCA’s Subcommission on Cultural Heritage
(SCH) expressed dismay on the lifting of the TRO, but tried to see a positive
side.
“The case has shown us that there is wellspring
of support for the protection of our cultural heritage. The public is aware of
the need to protect heritage and the public outcry over the decision shows
this,” said SCH head Fr. Harold Ll. Rentoria, OSA. “This is also a good time to
review our laws that protect heritage and see how they could be strengthened in
order for the NCCA and other government agencies to fulfill the state
obligation to protect, preserve and promote culture. No less than the
Philippine constitution requires that heritage should be preserved.”
Moreover, the NCCA continues the
celebrate National Heritage Month this May with the Filipino Heritage Festival,
co-organized with Filipino Heritage Foundation, Inc. headed by its president
Armita B. Rufino and finance officer Araceli R. Salas.
National Heritage Month came about
with the signing of Proclamation No. 439 on August 11, 2003, declaring the
month of May as National Heritage Month “in recognition of the need to create
among the people a consciousness, respect, and pride for the legacies of
Filipino cultural history, and love of country.”
The Filipino Heritage Festival was started in
2003 to celebrate National Heritage Month with an array of events “to bring the
Filipino people to a new awareness of age-old traditions, cultural practices,
song, dance and centuries-old architectural wonders.”
“The past years have been a significant upswing
of heritage awareness in our nation. The persistent initiatives of cultural
agencies, non-governmental organizations, and individual cultural advocates and
workers are bearing fruits. Among the most heartening headways are the
increasing number of young cultural advocates and the consistent initiatives of
local government units to integrate the protection and proper use of cultural
heritage in their development plans,” said Fr. Rentoria. “Awareness is but a
step to a higher goal, which is to cultivate in very Filipino the genuine care
for our heritage. Thus, the theme of the 2017 National Heritage Month this May
is ‘Malasakit para sa Pamana’ (care
for heritage).”
The 2017 celebration kicks off in Ormoc City,
Leyte, on May 3, with an opening ceremony. After that, there are numerous events lined
up, spilling into June.
There will be several performances. Significant
ones include Don Bosco TVET Center Tondo’s musical play Sanctissima, about the stories of three miraculous Virgin
Mary images and true miracle stories from Tondo, Manila. Also in celebration of
the 100th anniversary of the apparitions of Fatima, Sanctissima shows on May 2 and 3 at the Tanghalang Aurelio
Tolentino of the Cultural Center of the Philippines (CCP).
Another major production is Philippine Ballet
Theatre’s Pilipino Komiks, based on the popular comic strips of
Mars Ravelo, on May 14 (2 P.M. and 8 P.M. at the Tanghalang Nicanor Abelardo). It
is choreographed by Gener Caringal, with music by Chino Toledo and costumes by
Arturo Cruz. It will brought to the cities of Sagay and Victorias in Negros
Occidental on May 25 and 26.
The “Pamana ng
Filipino” concert will feature the
Philippine Philharmonic Orchestra and concert pianist Dr. Raul Sunico at the
Rizal Park Open Air Auditorium on May 28.
Alun
Alun Dance Circle will stage “Pangalay ng Bayan: Celebrating Women through
Dance” (May 9 at Robinsons Place Manila, 5 P.M.), featuring the choreography of
Ligaya Fernando Amilbangsa.
“Parian
sa Binondo” is on May 20 at the Lucky
Chinatown Mall’s ground floor Atrium (4 P.M.).
There
will also be different exhibits such as “Abot-Tanaw: Tracing Local Horizons,” a
photo exhibit of Philippine sunsets with launch of commemorative stamps at the Metropolitan Museum of Manila, opening on May 8 and
running until June 23; “Arte Filipino: Art Installations by Rachy Cuna” at S
Maison Atrium, Conrad Hotel, from May 15 to 31; “Philippine Traditional Musical
Instruments Collections of National Artists for Music Lucrecia R. Kasilag and
Ramon P. Santos” (May 8 to 10 at Glorietta Activity Center; and June 5 to 16 at
SM City Marilao, Bulacan); “Habi: A Journey through Philippine Handwoven
Textiles” (May 11 to 19, SM Seaside City in Cebu; June 16 to 30, SM City
Pampanga; and July 1 to 6, SM North Edsa, Quezon City); “Philippine Waterfalls”
in different malls; and “Gusali: Evolution of Philippine Architecture” (May 22
to 26, at the SM City Bacolod, Negros Occidental).
There
will also be educational events. The Youth Forum on Heritage is scheduled in
five areas—Ormoc City, Leyte (May 4 to 5); Ilagan City, Isabela (May 24 to 25);
Virac, Catanduanes (July 6 to 7); Cagayan de Oro (June 13 to 14); and Tayabas,
Quezon (July). The Angat Kabataan Camp 2017
will be held in Magalang, Pampanga, from May 31 to June 4.
Other events include a traditional Biblical Santa
Cruz de Mayo processions in Intramuros, Manila, on May 21, and at the SM Mall
of Asia grounds on May 12; Pahampang Pinoy: Traditional Filipino Games on May
26 in Victorias City, Negros Occidental; and a heritage pilgrimage in Negros
Occidental from May 25 to 27.
“Everyone
is encouraged to actively participate in this celebration. Any gesture of care
to the Filipino heritage, no matter how simple it is, can contribute in
achieving the collective purpose of having all people appreciate, protect and
cherish our cultural identity and treasures. A simple gesture, which can
educate our youth of the importance of our heritage, can be a catalyst in the
efforts of nation building and developing our pride of place,” said Fr.
Rentoria. “It is hoped that this year’s celebration of the National Heritage
Month will help each of us realize the significance of our heritage to the
present and future generations of Filipinos.”
For
inquiries, email heritagemonth@yahoo.com.ph.
St. Joseph the Worker Church in Victorias City is one of the stop during a pilgrimage tour |
A traditional Biblical Santa Cruz de Mayo procession will be held in Intramuros, Manila |
A pangalay dance peformance with Ligaya Fernando-Amilbangsa |
"Parian sa Binondo" will be held at the Lucky Chinatown Mall |
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