As a young kid, I played Darna,
imagining myself to be the heroine with superpowers who appeared in Filipino komiks
popular at that time.
On ordinary days, Darna is Narda, a
simple girl with a disability. When she is needed, Narda swallows a magical stone
to transform into Darna—a being strong enough to battle bad men, demons and
monsters. Darna has been a big part of many childhoods, including mine.
From her adventures, we learned to side with and cheer goodness and to oppose
evil. We also learned what basically constitutes goodness and also evil. From komiks,
Darna has been adapted to movies and television shows, becoming an icon
of Philippine pop culture.
Darna is the creation of prolific komiks
writer Mars Ravelo, who also created several other iconic characters such
as Captain Barbell, Lastikman, Bondying and Dyesebel. Ravelo is revered for
creating characters and stories that colored many a childhood memory. On the
centenary of his birth last October 9, the Cultural Center of the Philippines
(CCP) held a celebration. A three-tiered caked was cut in his honor. It was
decorated with covers of his komiks and some of his characters. It was
crowned, fittingly, with the face of Darna and a small typewriter of sugar
icing.
The celebration was held at the
Bulwagang Juan Luna or Main Gallery and the Pasilyo Guillermo Tolentino, the
third-floor hallway gallery of the CCP, where the “Mars Ravelo Reinterpreted”
exhibit, which opened on September 15, 2016, is on view until November 13, 2016.
Ravelo was born on October 9, 1916, in General Trias, Cavite, where he
spent most of his childhood. He studied in Manila, but he cut classes to spend
time in public libraries until he decided to leave high school during his
sophomore year. He had already met Tony Velasquez, a well-known komiks illustrator,
who influenced him to go into the genre. In 1939, he became the cartoonist for
the comic series, “Bemboy,” but
his career was cut short by the Second World War. After the war, Ravelo
returned to komiks, coming up with original material, which was
published in Bulaklak. On May 17, 1950, the first issue of “Darna”
came out. Within the span of four decades, he produced more than 300 titles
that included stories of superheroes, fantasy, comedy, science fiction, drama
and romance, eventually becoming a household name. He died on September 12,
1988, leaving behind a legacy that influences many people until today.
The “Mars Ravelo Reinterpreted” exhibit
kicked off the year-long celebration of Ravelo’s centenary. It gathered visual
artists Kris Abrigo, Ang Gerilya, Virgilio Aviado, Mariano Ching, Ernest
Concepcion, Maishadela Cruz, FaBo, Dex Fernandez, RM de Leon, Leeroy New, Jonas
Roces, Jericho Vamenta and MM Yu, who created paintings, sculptures and
installations inspired by Ravelo’s characters, challenging the perceived divide
between fine art and comic art. It also subverts the statuses—comic art, which
is usually perceived as low-brow and escapist, informing and inspiring the fine
arts. The works range from the ones that comment on social issues using Ravelo
characters to those that are simply homages.
Aside from the works of the featured
artists, “Mars Ravelo Reinterpreted” has a section displaying memorabilia and
works by Ravelo. There are volumes of komiks, as well as typewritten
scripts. A small section displays works of thee of Ravelo’s eight children—Richard,
Rita and Rex.
Rex’s work, a charcoal-on-paper painting
called Tinapa Literature, depicts
torn pages of comic books made into a little bag to hold smoked fish, a common
practice then. It is described as “an interpretation of how his father would
honestly want to educate Filipinos by passing on both moral values and Pinoy
culture even only through repurposed komiks pages.”
Additionally, Rex emphasizes that one of
the educational impacts of his father’s komiks stories is the
popularization of the Filipino language. Komiks in Filipino were widely
read, including in the Visayas and Mindanao, and as a result non-Tagalog
speaking Filipinos learned Filipino.
For his part, Rex is keeping alive his
father’s legacy, as well as trying to revitalize interest in comics. With
partners and associates, he is currently building the Mars Ravelo Komiks Museum
on a 2,000-square meter lot in Neogan, Tagaytay City, Cavite. Planned to open
during the culmination of the centenary celebration next year, the museum, he
says, will not only feature his father’s works, but it will be about Philippine
comics as a whole, showing the impacts and influences of the popular art form
on Filipino lives and culture.
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The exhibit area at the CCP |
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Bondying |
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Darna at ang Babaeng Linta typewritten script |
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Sisid, Dyesebel, Sisid |
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An old Royal typewriter of the Ravelos |
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Ang Gerilya’s Tagapagligtas (flat latex on plywood, 2016) |
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Darna and Valentina Encounter by RM de Leon (acrylic on paper, 2009) |
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History of the Halimaw by Kris Abrigo (acrylic on wood, 2016)
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Leeroy New's Still Life with Two Flash Bombas (plastic toys) |
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Plastickman, Plastikman 2 by Virgilio Aviado (mixed media on tarpaulin and found objects, 2016) |
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Kikay Okay
|
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Portrait of Mars Ravelo by Richard Ravelo
|
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Tinapa Literature by Rex Ravelo |
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Dex Fernandez |
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Dyesebel by Jonas Roces (brass on stainless steel stand, 2016) |
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MM Yu |
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Mariano Ching |
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Mars Ravelo |
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Mars and Lucy Ravelo |
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Mars Ravelo, Amaya, Cavite |
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Ravelo family |
|
Me |
2 comments:
Hi Roel!
Nice photos. They seem to be representative of the exhibit.
The photo of Pilipino Komiks Blg. 99 captures the wonderful artistry of Nestor Redondo that Darna seems to come out of the pages.
Take care.
Thank you, Mr. Baytan :-)
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