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The Bila-Bila Festival performing delegation from Marinduque participates in the first Mimaropa Festival in Calapan City, Oriental Mindoro, in November 2015 |
At the northwest part of the
Philippines, southwest of its largest island Luzon, a cluster of islands and
provinces—Mindoro, Marinduque, Romblon and Palawan, grouped together and given
the portmanteau name Mimaropa— is trying to construct a singular identity.
This, however, can be a tricky and elusive effort.
Unlike some of country’s other
regions with a single ethnic make-up such as the Ilocano Ilocos region and the
Cebuano Central Visayas, or groupings of related cultures such as Western
Visayas and the Cordilleras, Mimaropa’s culture is not easily distinguishable.
It is predominantly Tagalog, thus sharing cultural characteristics with nearby
regions such as Central Luzon, the National Capital Region and the Southern
Tagalog Region. Its other indigenous cultures—such as the Mangyan in Mindoro,
the Rombloanon of Romblon and the Palawan groups including the Cuyunon,
Palaw-an, Tagbanua, Jama Mapun and Batac—as well as its distinct folk
traditions, such as the Lenten Moriones practice of Marinduque, can be rich
sources in crafting a regional cultural identity but they are very identifiable
to the provinces of their origins and are not common to the whole
Mimaropa.
Being the first ever mounting,
this problem naturally cropped up during the Mimaropa Festival, which was held
from November 9 to 14, 2015, in Calapan City, the capital of Oriental Mindoro
and the hub of the region.
“This is the first-ever
festival where we will showcasing not only the products but also the festivals,
the warmth of the people, the destinations…Mimaropa is a place so rich and so
blessed with a lot of beautiful natural attractions. Not only that, it is rich
in culture, history and heritage. Of course, we take pride in the warmth of the
people. Everywhere you go, you see people smiling. This is what we should showcase
to the world,” explained Department of Tourism (DoT) Mimaropa regional director
Minerva Aldaba Morada, whose office is supporting the effort.
According to Oriental Mindoro
governor Alfonso V. Umali Jr., the idea for the region-wide festival sprang up
during a meeting of the Regional Development Council, and it was agreed that a
festival will be held annually with the venue rotating among the five
provinces. However, the plan, intended for the summer, floated about and did
not immediately come to fruition.
When Oriental Mindoro was
preparing to celebrate its 65th foundation anniversary on November 15, 2015,
Umali thought of enjoining the whole Mimaropa Region and thus finally
jumpstarting the holding of the festival, which he believes to be the first festival
in the country in the regional level.
The festival was attended by
officials, representatives and guests from the region’s five provinces and its
two cities, Calapan City and Puerto Princesa City in Palawan, despite the
region being geographically fragmented by seas and straits, making going around
the region challenging. But, according to Oriental Mindoro officials, the
festival enjoyed strong support. There is a strong collaboration with other
provinces and there is solidarity, especially among politicians here, Umali
said.
Primarily
to showcase the different festivals of the Mimaropa provinces, the Mimaropa
Festival was composed of three major events, the de-rigueur components of
Philippine festivals—the agriculture, tourism and trade fair at the provincial
capitol where a cluster of booths showcased the products of different towns;
the street dancing competition; and a festival queen pageant, where Palawan’s
Sharla Santillan from Busuanga was crowned winner with Marielle Sarmiento of
Oriental Mindoro as first runner-up and Princess Ahne Noche of Marinduque as
second runner-up.
The street dancing parade and competition, like
in all Philippine festivals, was the highlight of the festivities, held on November
14. A parade went through the main street of J.P. Rizal and ended at the
Oriental Mindoro National High School grounds, where the groups entertained the
crowds in a showdown competition.
Hailed as champion was the Baragatan sa Palawan
Festival group from Palawan. The Baragatan sa Palawan Festival is celebrated
every June to commemorate the establishment of Palawan as a province in 1905.
The name comes from the Cuyunon word bagat, which means “to gather for
festivity.” The Palawan contingent consisted of students from the town of
Quezon, and their dance depicted the everyday lives of Palawan peoples as well
as their cultures-farming, fishing, the Manunggul jar discovered inside the
Tabon Cave System in Quezon and the Muslim groups-as well as the aspiration for
progress.
The first runner-up was the colorful Bila-Bila
Festival group from Marinduque. Bila-Bila Festival is a celebration of
Marinduque’s capital, Boac, held during its town fiesta on December 8 and it
highlights the butterfly and the province’s emerging industry of butterfly
breeding. The Mimaropa Festival dance of the Bila-Bila Festival group centered
around a local belief, said to be old Tagalog: If you have a wish, capture a
butterfly, whisper your wish to it and set it free. In exchange for its
freedom, the butterfly will carry your wish to heaven and it will be granted.
The dance also depicted the folklore of the forbidden relationship of Marin and
Gat Duke, from whom the province is said to acquire its name, and showed
elements of local culture such as the use of the bamboo instrument kalutang,
the devotion to Our Lady of Perpetual Help and the practice of putong.
Romblon’s Biniray Festival contingent was
bestowed second runner-up prize for their lively performance. Intended to honor
the province’s patron, Santo Niño during his feast day in the second week of
January, the performance was similar to Aklan’s Ati-Atihan Festival and Cebu’s
Sinulog Festival, Visayas’ prominent Santo Niño celebrations, with rousing
drumbeats, tribal costumes and frenetic steps.
The remaining contingents were homegrown—the
Dabalistihit Festival group of Naujan representing Oriental Mindoro, and
Calapan City’s Kalap Festival group. The Dabalistihit Festival group was the
winner of Oriental Mindoro’s Sandugo Festival cultural dance competition, which
had fourteen municipalities participating and showcasing the culture of the
Mangyan, an indigenous people of Mindoro Island, as well as the their
relationship with the damuongs, non-Mangyan peoples. Dabalistihit is
portmanteau for dalag, banak, banglis, tilapia and hito,
freshwater fishes found in Naujan and the focus of its festival. On the other
hand, the Kalap Festival is inspired by the origin of Calapan’s name, the
Tagalog word kalap, “to forage for food.” Festival performers try to
tell a history of Calapan, from people in searching for food and the formation
of a settlement to the invasion of Muslim pirates and the triumph of the
Catholic faith.
The street dance parade, featuring groups judged
as the best by the provinces through their own province-wide festivals,
provided a glimpse of the different stories and traditions as well as the
similarities of the Mimaropa provinces.
A distinctive identity of the festival as well
as of the region may take time to emerge. Whether the festival has a fixed date
is still being thought about. Organizers are still learning from the experience
in mounting the first regional festival and have high hopes for it. What is
foremost, aside from being an avenue where the region’s provinces come together
and celebrate, is to promote the different attractions of the region as the
festival is primarily aimed at boosting tourism in the area, attracting more
visitors and investor and advancing the region’s new tourism slogan,
“Naturally, the Destination of Choice.”
“Tourism has assumed a new face,” said Morada.
“Before it used to be promotions, marketing. Our law says more than that. It
says that tourism should be used as engine for social and economic development,
that it should be used to uplift the lives of the people.”
She mentioned the myriad “economic benefits”
when tourists arrive. About 1.2 million tourists arrived in Mimaropa in 2014,
she said, generating about Php13 billion in tourist receipts, which is a “big
contribution in the regional economy.” Officials are hoping to surpass that
number in the following years.
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The Kalap Festival performing delegation from Calapan City |
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The Kalap Festival performing delegation from Calapan City |
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The Kalap Festival performing delegation from Calapan City |
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The Kalap Festival performing delegation from Calapan City |
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The Kalap Festival performing delegation from Calapan City |
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The Kalap Festival performing delegation from Calapan City |
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The Bila-Bila Festival performing delegation from Marinduque |
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The Bila-Bila Festival performing delegation from Marinduque |
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The Bila-Bila Festival Queen from Marinduque |
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The Bila-Bila Festival performing delegation from Marinduque |
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The Bila-Bila Festival performing delegation from Marinduque |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Baragatan Festival performing delegation from Palawan |
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The Biniray Festival performing delegation from Romblon |
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The Biniray Festival performing delegation from Romblon |
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The Biniray Festival performing delegation from Romblon |
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The Biniray Festival performing delegation from Romblon |
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The Biniray Festival performing delegation from Romblon |
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The Biniray Festival performing delegation from Romblon |
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The Dabalastihit Festival performing delegation from Naujan, representing Oriental Mindoro |
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The Dabalastihit Festival performing delegation from Naujan, representing Oriental Mindoro |
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The Dabalastihit Festival performing delegation from Naujan, representing Oriental Mindoro |
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Mangyan craftsmen at the trade fair |
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Provincial capitol grounds |
Photos by Roel Hoang Manipon
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