The commemorative stamp
launching: (from left) Francisco’s grandson Carlos Francisco II, chairman of
the Board of Directors of the Philippine Postal Corp. Cesar Sarino, NCCA
chairman Felipe de Leon, Jr. and National Committee for Visual Arts head
Nemesio “Nemi” Miranda.
Commemorative stamp on
National Artist for visual arts Carlos “Botong” Francisco was unveiled on November 9, 2012, launching the
celebration of the birth centenary of one of the Philippines’
greatest painters.
President Benigno S.
Aquino III singed Proclamation 284 declaring the period from November 4, 2012
to November 3, 2013 as the Centennial Year of National Artist for Painting
Carlos “Botong” Francisco, whose works and achievements are said to be
“reflective of this preeminent excellence and of the national genius that
contributed to the national heritage of the Philippines and the world.” Also,
in the House of Representatives, congressmen Feliciano Belmonte Jr., Neptali
Gonzalez II, Edcel Lagman, Salvador Escudero III, and Ma. Jocelyn Bernos
introduced House Joint Resolution 26 to commemorate the National Artist, who
was born on November 4, 1912
and died on March 31, 1969.
The stamp launching, at
the Leandro Locsin Auditorium of the National Commission for Culture and the
Arts (NCCA) in Intramuros, Manila,
was led by NCCA chairman Felipe de Leon, Jr. and the chairman of the Board of
Directors of the Philippine Postal Corp. Cesar Sarino. The event was graced by
other National Artists — sculptor Napoleon Abueva, landscape architect
Ildefonso Santos and filmmaker Eddie Romero. From the family of Francisco, his
grandson, Carlos Francisco II, attended.
Together with the Cultural
Center of the Philippines,
the NCCA, the government arm that mainly provides grants to projects, sets
policies and promotes arts and culture in the country, leads the celebration.
The two cultural agencies also administer the National Artist award, which is
currently accepting nominations.
De Leon
said that Francisco led one of the five schools of thought in Philippine visual
arts. Among the painters, De Leon
said the works of Francisco and Hernando Ocampo are distinctively Filipino—“hindi
mo mapagkakamalan European o American.” (One cannot mistake them for
being European or American) He also said the Francisco’s works are
characterized by wavy patterns, thus full of rhythm.
Francisco is considered
the greatest Filipino muralist, invariably linked with “modernist” artists. He,
Victorio C. Edades and Galo Ocampo were known in the local art circles as The
Triumvirate. Francisco’s unerring eye for composition, the lush tropical colors
and faith in folk values have become hallmarks in his artworks. His other major
works include Portrait of Purita, The Invasion of Limahong, Serenade, Muslim
Betrothal, Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal,
Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid and Sandugo. In
the city hall of Manila,
one can see one of his recognizable murals. He was awarded the National Artist
title on 1973, the second visual artist after Fernando Amorsolo. Francisco
hailed from the town of Angono in
Rizal, long regarded as a home to many artists and the “Art Capital of the Philippines.”
The head of the NCCA’s
National Committee for Visual Arts (NCVA), painter Nemesio “Nemi” Miranda, is
also from Angono. He remembers accompanying Francisco in his hikes when he was
a child and is proud that he is included in one of his paintings on Angono
scenes. Francisco loved to hike and explore the countryside. He is said to be
responsible for the discovery of the now famous Angono Petroglyphs in 1965, a
result maybe of one of his hikes.
The NCVA and the Angono
Ateliers Association have a big project to celebrate Francsico’s birth
centennial. To be held in the last two months of 2012 and the early part of
January 2013, the “Sentenaryo ni Botong” is a cultural event that includes a
competition, a conference, parades, a mural interaction and an exhibition that
will travel all over the country. The national competition will be open to all.
A jury will select 24 artists based on their recent works and will be given P
5,000 production grant each to portray scenes from Francisco’s life and works
based on a list of 30 themes about Francisco.
The 40-painting traveling
exhibit, aside from Francisco, is also in honor of Lucio San Pedro, National
Artist for music, who was also from Angono and whose birth centenary will be
celebrated on February 11, 2013.
Aside from the NCCA, the
Museum Foundation held a lecture called “Sabado sa Museo at si Botong
Francisco” last November 10 at the National
Art Gallery
with art scholar Patrick Flores and Carlos “Totong” Francisco. This is part of
a year-long series of events of the Carlos “Botong” V. Francisco Centennial
Consortium, which includes the Angono Artists Association, Ayala Museum, Blanco
Family Museum, Botong Francisco family, CCP, Far Eastern University, Freeway,
National Artists Collectors Series, Lopez Museum, municipality of Angono, Museo
ng Bangko Sentral ng Pilipinas, Museum Foundation of the Philippines, Philippine
Art Awards, SM malls, University of Santo Tomas, University of the Philippines
Vargas Museum and Yuchengco Museum.
Fashion brand Freeway also
joined the celebration by offering the Botong Francisco collection in its
National Artist Collectors’ Series — dresses with prints of Botong’s works as
well as gift items such accessories, watches and even tech accessories.
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